Page 166 - WINE DINE AND TRAVEL SPRING 2023 SPECIAL CRUISE EDTION
P. 166

All around, sugar maples, yellow birch, and
                                                                     beech swayed gently in the breeze accompa-
                                                                     nying the soft squish of my steps on the hu-
                                                                     mid earth. The first plaque bearing Frost's
                                                                     sonnet, Putting in the seed, soon appeared
                                                                     amidst the foliage, one of Frost's better-
                                                                     known poetic legacies illustrating the
                                                                     themes of nature and human relationships.
                                                                       As if on cue, the shriek of a bird ripped the
                                                                     stillness. A few steps away, a break in the
                                                                     dappled light illuminated The Oven Bird, one
                                                                     of the poet's best-known sonnets from his
                                                                     collection Mountain Interval.


                                                                       "There is a singer everyone has heard.
                                                                       Loud, a mid-summer and a mid-wood bird,
                                                                       Who makes the tree trunks sound again. . .


                                                                       Mowing, another of Frost's masterpieces,
                                                                     lauded the benefits of hard work and "mak-
                                                                     ing hay," a theme he focused on time and
                                                                     again to depict life in rural New England. The
                                                                     sudden crash of a dead branch provided the
                                                                     soundtrack for The Sound of the Trees, one
                                                                     of the most beloved poems of the four-time-
                                                                     winner of the Pulitzer prize for poetry. Here,
                                                                     in Frost's back yard, I experienced the im-
                                                                     portance of Nature, from the rustle of the
                                                                     wind to the upturned roots of a rotting tree
                                                                     trunk, that permeates the poet's works.
                                                                       My meanderings continued with Birches,
                                                                     Stopping by Woods on a Snowy Evening, and
                                                                     The Road Not Taken, arguably Frost's best-
                                                                     known work. I stood rooted in place, linger-
                                                                     ing on the verses, wondering which path to













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